reset

2020

Exhibitions

Testing theories and stereotypes  Barcelona

Exploration of racial stereotypes

Performance

Testing theories and stereotypes  New York

Exploration of socioeconomic stereotypes

Testing theories and stereotypes Paris

Exploration of socioeconomic/racial stereotypes

1996

1998

1997

Invited artists

Stealing by Finding by  Frank MacAleese     1/3/99 - 8/3/99

Article 69 (1) by Frank MacAleese     8/3/99 - 15/3/99

Article 69 (2) by Frank MacAleese     24/1/00-29/1/00

Article 69 (3) by Frank MacAleese     31/1/00-11/2/00

Untitled Painting by Barbara Walker   11/7/00-15/7/00

Ingoldsby Estate Community arts Project Birmingham ( Solo exhibitions )

Cleansing to a Brilliant White                                                               

Desmond Tate                                                                                    

Surplus Workers. (From Conflict and Consciousness)                             

Working Class Crime / Corporate Crime.                                              

Untitled (beans) (From Conflict and Consciousness)                               

Desmond Tate (Painting)                                                                     

Maintaining Underdevelopment                                                             

Designed in Germany Made in China                                                     

Working Class Crime/Corporate Crime. Northfield Library Birmingham    

1999

641 Youth House Birmingham ( Solo exhibitions )

Working Class Crime / Corporate Crime.     

Designed in Germany Made in China      

Untitled (beans) (From Conflict and Consciousness)    

Charles Archie (video)        

1999

(Big Peg) Birmingham Solo

Untitled (Big Peg) Birmingham       1996

Central Collective

(Group exhibition and lecture program) Roundhouse Gallery

Birmingham

 Ranjid Sohota Desmond Tate Charles Archie   

1999

641 Youth House Birmingham ( Solo exhibitions )

Cleansing to a Brilliant white      

Maintaining Underdevelopment   

2000

Masefield Square Community Centre Birmingham

Designed in Germany Made in China      

Working Class Crime / Corporate Crime.     

1999

Pulverised by Propaganda Series No 004      

Let Me Liberate You Series No 001             

2012

Hanz Koontz / R Sahota – Drawing / Architectonics     

Architectonics Interactive     

Re-distribution of knowledge concept        

Reconditioned concept          

Architectonics                     

Missing in Action (Birmingham)                 

2009

2011

2008

2004  

2003  

2003

Online accessible art [ongoing]

American Intelligence fail 01

2013

Angry Jesus

2013

Out Of Sync. ( Through the eyes of R. Sohota ) Performance

Public house (The Old Angel) Nottingham     

Night club (Last Weekend) Nottingham      

Surplus Workers. Northfield Job Centre Birmingham UK

1999

Designed in Germany Made in China

(S) Bahn (U) Bahn Berlin       

Out Of Sync. sculpture/performance Public house Pustublume

Martin Luther Str/Meininger Str) Berlin    

Beyond the Point of Restriction (Tegel airport) Berlin 24/3/99

1999

BitTorrent art distribution

 Damien Hirst visual critique BY HANZ KOONTZ exe Torrent

Birmingham Queer Open,  title: Pulverized by Propaganda

Hanz Koontz: Birmingham

Big Peg: Vyse Street, Jewellery Quarter       

Curzon Street Station: Eastside, Digberth     

Wynner House: Bromsgrove Street             

2009

Contemporary Art Gallery Vancouver

Ikon Gallery Birmingham

Spike Island Bristol

The New Art Gallery Walsall

Modern Art Oxford

Nottingham Contemporary

blocked

2014 Ongoing

Social Manipulation 2016 - 17

 A Case for Nonsense 2016

Pulverised by Propaganda 2009   Online 2022

archiving

From Austerity series Fresno USA 2023

Indira Gandhi International Airport 2022

Identity and Anonymity  2026

2022 - 2026 Imitation by Design

This series is situated within an ongoing investigation into the notion of the engineered society, examining how environments are constructed, regulated, and instrumentalised to shape behaviour, perception, and social conformity.

The study interrogates natural formations that appear engineered, using these visual correspondences to question the ideological construction of “nature” as separate from systems of production. The resemblance to manufactured forms becomes symptomatic of a broader reality: that nature is increasingly administered, regulated, and instrumentalised, reshaped to serve economic and institutional frameworks of extraction.

Pulverised by Propaganda 2009   Online 2026

Research, interaction, participation USA 2023

Valley Plaza

2701 Ming Ave, Bakersfield, CA 93304, United States

8XQ8+4F Bakersfield, California, USA

2009